Matthew Barney & Elizabeth Peyton – Blood of Two
144 Seiten, 21,6 x 27,9 cm , 660 g.
Matthew Barney & Elizabeth Peyton – Blood of Two
16 June 2009
19,80 €
Inkl. MWSt., zzgl. Versandkosten
Lieferzeit: 2 bis 6 Werktage (weltweit)
In June 2009, the DESTE Foundation opened its Project Space in the former slaughterhouse on the island of Hydra. Inaugurating the space, Matthew Barney and Elizabeth Peyton collaborated on a site-specific installation which included sculptures, drawings and paintings. This book records Barney and Peyton’s collaboration with documentary photographs of the works and the installation and includes a commentary by Angus Cook.

DESTE Foundation’s new Project Space, in what was Hydra’s former slaughterhouse, is inaugurated with Blood of Two, a joint performance and exhibition by Matthew Barney & Elizabeth Peyton. Marking the first time in which the artists have collaborated, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure.

Central to the work is a vessel that was submerged into the sea for three months, containing drawings of animals and mythical gods done in pencil and blood. The joint performance begins at dawn, with the retrieval of the heavy glass case from the depth of the sea by local fishermen, who then adorn it with a shark carcass. The vessel is then carried to the island’s former slaughterhouse in a ceremonial gesture alluding to the island’s Easter Epitaphios procession.

The components of the installation, realized together on-site, are then exhibited at the Slaughterhouse as one work. Focusing on the sacrifices animals make for man, Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.
VerlagDeste Foundation for Contemporary Art
Sprachegriech., Englisch
Beiträge vonAngus Cook
Museum / Ortdeste Foundation, Hydra
Artikel IDart-18997


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